Rock

Neil Young - Citizen Kane Jr. Blues 1974 (Live at The Bottom Line) - A fan favorite bootleg that is usually called "Live at The Bottom Line". A surprise solo acoustic performance following a Ry Cooder show on May 16, 1974. Notably features songs that would be included on "On The Beach". The album title comes from Neil introducing the opening song with that title; a song that later became "Push It Over The End".

BLACK KEYS / DROPOUT BOOGIE - VINYL LP - As they've done their entire career, The Black Keys' Dan Auerbach and Patrick Carney wrote all of the material for their new album, Dropout Boogie, in the studio, and the album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. After hashing out initial ideas at Auerbach's Easy Eye Sound studio in Nashville, the duo welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums. NONESUCH

Red Vinyl. Expectations never mattered to Bad Wolves. Instead, the Los Angeles band fused unpredictable metallic intensity and impressive instrumental proficiency to arena-ready hooks, transforming from underdogs into elite platinum-certified hard rock contenders without compromise or apology. Since 2017, the core group-John Boecklin [drums], Doc Coyle [lead guitar, backing vocals], Chris Cain [rhythm guitar], and Kyle Konkiel [bass, backing vocals]-have consistently subverted expectations and accomplished the seemingly impossible. In 2018, the band earned a platinum plaque, topped iTunes, and ruled Active Rock at #1 for three weeks straight. This momentum also propelled their debut album, Disobey, to a Top 25 debut on the Billboard Top 200. In between performing to sold out audiences on multiple continents with heavyweights such as Five Finger Death Punch and Megadeth, 2019's N.A.T.I.O.N. yielded their fifth straight #1 at Active Rock, "Sober," and brought their total stream tally past the half-billionmark-unprecedented for a modern rock band. Not to mention, LoudWire hailed it among the "50 Best Rock Albums of 2019" as Billboard and Consequence of Sound chronicled their rise. In the midst of 2021, Bad Wolves welcomed Daniel "DL" Laskiewicz-previously of The Acacia Strain-as lead vocalist, ushering in a new chapter with their third full-length offering, Dear Monsters,[Better Noise Music], led by the single "Lifeline."

Cuco presents his debut ‘Wannabewithu’ on vinyl for the first time. The vinyl features a limited edition zoetrope animation on each side of the LP to commemorate the fifth anniversary. ‘Wannabewithu’ is a milestone release that mixed relatable and catchy psych-bedroom pop songs in English and Spanish, endearing Cuco to other first-generation Latin Americans and fans of young indie artists.

A zoetrope is a pre-film animation device that produces the illusion of motion by displaying a sequence of drawings or photographs showing progressive phases of that motion.

"Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We’ve Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can’t, or we don’t, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life’s changes can be both terrifying and transformative. We’ve Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages. We’ve Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them. We’ve Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can’t control, and what it means to be human in a world that is wracked by so much trauma. The track “Home To Me,” written about Van Etten’s son, uses the trademark “dark drums” of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, “Come Back” reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to “come back” to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, “Born” is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. Unlike Van Etten’s previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We’ve Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten’s uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish."

A first-time gathering of all Wallows’ key singles, on one sky blue vinyl release for Record Store Day. And some of these tracks are on vinyl for the first time! 

Side A
1. Pleaser
2. Sun Tan
3. Uncomfortable
4. Pulling Leaves Off Trees
5. Underneath the Streetlights in the Winter Outside Your House
Side B
1. Drunk On Halloween
2. 1980s Horror Film II
3. Trust Fall
4. Just Like a Movie
5. OK

A collaboration between Mike Patton (Faith No More, Mr. Bungle, Fantomas) and The Dillinger Escape Plan, this four song EP is a wildly progressive amalgam of musical styles that combines the feral intensity of hardcore, the technical precision of metal, mind-boggling tempo changes and sonic textures usually associated only with experimental electronic music. Irony Is A Dead Scene pushes the limits of speed, composition and complexity. Perhaps the most extraordinary track is a cover of Aphex Twin’s “Come To Daddy” which brilliantly and significantly serves to blur the distinction between “electronic” and “live” music. Reissued on vinyl to commemorate the 20th anniversary of the original release. 

Father John Misty returns with Chloë and The Next 20th Century, his fifth album and first new material since the release of God's Favorite Customer in 2018. Chloë and the Next 20th Century was written and recorded August through December 2020 and features arrangements by Drew Erickson. The album sees Father John Misty - aka Josh Tillman - and producer/multi-instrumentalist Jonathan Wilson resume their longtime collaboration, with Dave Cerminara returning as engineer and mixer. Basic tracks were recorded at Wilson's Five Star Studios with strings, brass and woodwinds recorded at United Recordings in a session featuring Dan Higgins and Wayne Bergeron, among others. Chloë and The Next 20th Century features the singles "Funny Girl," "Q4," "Goodbye Mr. Blue," and "Kiss Me (I Loved You)."

Double colored vinyl LP pressing. The brilliant 2000 studio album from prog rock legends Kansas. This is the final Kansas to feature longtime vocalist Steve Walsh before his departure and the final album to feature iconic Kansas violinist Robby Steinhardt before his passing in 2021. Widely hailed as a return to form, this album harkens back to the band's 1970s heyday!

Vinyl LP pressing. 2019 release. When We All Fall Asleep, Where Do We Go? is the debut album from Billie Eilish and includes 'When The Party's Over', 'You Should See Me In A Crown' and 'Bury A Friend'. The album follows 2017's Don't Smile At Me EP which peaked at #14 on the Billboard Top 200 chart. LP Color is Pale Yellow.

Fans of '80s new wave are in for an extra special treat on this innovative compilation featuring one of the most celebrated band of that decade, Berlin! Includes Berlin's smash hit singles "Sex (I'm A...)," "Metro" and "Take My Breath Away" along with daring club ready remixes by Sigue Sigue Sputnik, Mission UK, and Rosetta Stone! CD version includes two rare bonus tracks - covers of Blondie and Madonna!

Vinyl LP pressing including digital download. Janis Joplin's Greatest Hits is a 1973 collection of hit songs by legendary rock vocalist Janis Joplin, who died in 1970. Janis Joplin remains one of the most successful and widely-known female rock stars of her era. After releasing three albums, she died of a heroin overdose at the age of 27. Joplin, highly respected for her charismatic performing ability, was posthumously inducted into the Rock and Roll Hall of Fame in 1995. Audiences and critics alike referred to her stage presence as "electric". Rolling Stone ranked Joplin #46 on it's 2004 list of the 100 Greatest Artists of All Time and #28 on it's 2008 list of 100 Greatest Singers of All Time. She remains one of the top-selling musicians in the United States, with Recording Industry Association of America certifications of 15.5 million albums sold.

Limited edition of 1500 individually numbered copies on white coloured 180-gram audiophile vinyl in a gatefold sleeve. The British shoegaze pop band Engineers was formed in London in 2003 by Mark Peters, Simon Phipps, Andrew Sweeney and Dan MacBean. MacBean is also known as the guitarist in The Shining. This album features the acclaimed tracks "Home", "Forgiveness" and "Waved On".

Japanese compilation album originally released in 1993 on CD only, includes a collection of rarities and remixes that are not found on any of the band’s studio albums. Exclusives on this RSD release includes two previously unreleased mixes of 'Right Here Right Now'. Blue and yellow marbled viny, for its first vinyl release. 

Side One
1. Bring It On Down (Liquidized Mix)
2. Cut & Dried
3. None Of The Answers (B.P.M. 122)
4. Beat It Down

Side Two
1. Real Real Real (Rhythm 1) ['Raw' Mix]
2. Real Real Real (Rhythm 3) [Ben Chapman 'Spaced' Mix]
3. Machine Drug
4. International Bright Young Thing (Phil Harding 12'' Mix)
5. International Bright Young Thing (Chaos Mix)

Side Three
1. Who? Where? Why? (12" Foot Mix)
2. Kill Today
3. The Right Decision (Acid Confusion Mix)
4. The Right Decision (Moody Reconstruction Mix)

Side Four
1. The Right Decision (Klanger Mix)
2. Starting from Scratch
3. Right Here Right Now (Rock Band mix)
4. Right Here Right Now (CJM mix)
5. Zeroes and Ones (The Prodigy Versus Jesus Jones mix)

Everything Everything are an English rock band from Manchester that formed in late 2007. The band has released five albums to date and are twice Mercury Prize nominated, 5 time Ivor Novello nominated and critically acclaimed. As they start gearing up for the release of their sixth studio album, the band is entering a new phase of electronic exploration that pushes the ribbon on melody & rhythm. Writing with a musical and lyrical intelligence absent in much other modern music, Everything Everything are a wholly unique proposition. To date the band has accumulated over 42 Million US Streams and over 33 Million video views

(2-LP set) The original recordings from 1968-1970, including the classics Susie Q, I Put a Spell on You, Proud Mary, Bad Moon Rising, Lodi, Green River, Commotion, Down on the Corner, Fortunate Son, Travelin' Band, Who'll Stop the Rain, Up Around the Bend, Run Through the Jungle, Lookin' Out My Back Door, Long as I Can See the Light, I Heard It Through the Grapevine, Have You Ever Seen the Rain?, Hey Tonight, Sweet Hitch-Hiker & Someday Never Comes.

Newly remastered for RSD, 1995's Incidental Music collects B-sides and unreleased tracks from Superchunk's fruitful early period, 1990 - 1994. Along with buried gems from the same recording sessions that would produce seminal 'chunk records like Foolish and No Pocky for Kitty, this collection also includes fan-favorite covers of songs originally by Magnetic Fields, The Verlaines, Motorhead and more. Available on color for the first time ever! 

Shallow End | Mower | On the Mouth | Cadmium | Who Needs Light | Ribbon | Foolish | 100,000 Fireflies | Invitation | Makeout Bench | Baxter | Connecticut | Lying in State | Throwing Things (Acoustic) | I'll Be Your Sister | Night of Chill Blue | Forged It | Home at Dawn

Released in 2009, Tear Gas is the fourth and arguably most notable studio album from The Jacka. Peaking at #93 on the Billboard Top 200, the 19-track album is packed with features from both Bay Area and national legends, such as Andre Nickatina, Matt Blaque, E-40, Mistah F.A.B., Cellski, Zion I, AP.9, Dubb 20, J. Stalin, Devin The Dude, Paul Wall, Masspike Miles, Planet Asia, Cormega, Ampichino, and Freeway. The album features the hit singles, "All Over Me feat. Matt Blaque," and "Glamorous Lifestyles feat. Andre Nickatina"

1. Summer (feat. Matt Blaque & Rydah J Klyde) | 2. Just A Celebrity (feat. Sky Balla) | 3. Glamorous Lifestyle (feat. Andre Nickatina) | 4. Greatest Alive (feat. E-40, Mitchy Slick & Jynx) | 5. They Don't Know (feat. Freeway) | 6. Dream (feat. Ampichino & Zion I) | 7. Won't Be Right (feat. Cellski) | 8. Keep Callin' (feat. Devin The Dude) | 9. Girls | 10. Scared Money (feat. Krondon & AP.9) | 11. Get It In (feat. Paul Wall & Masspike Miles) | 12. What's Your Zodiac (feat. Phil Da Agony) | 13. Dopest Foreal | 14. Callin' My Name (feat. Mistah F.A.B.) | 15. What Happened To The World | 16. The Movement (feat. Planet Asia) | 17. Storm (feat. Cormega) | 18. Our Heroes (feat. Dubb 20 & J. Stalin) | 19. All Over Me

“We’re a bunch of outsiders who refused to be kept out,” says High Pulp drummer Bobby Granfelt. “We’ve never had an academic approach to jazz—most of us grew up playing in DIY bands—so it was the rawness and the energy and the absolute freedom of the music that called to us in the first place.”

Indeed, there’s something defiant, something utterly liberating about High Pulp’s remarkable ANTI- Records debut, Pursuit of Ends. Drawing on punk rock, shoegaze, hip-hop, and electronic music, the band’s brand of experimental jazz is both vintage and futuristic all at once, hinting at times to everything from Miles Davis and Duke Ellington to Aphex Twin and My Bloody Valentine. The songs here balance meticulous composition with visceral spontaneity, and the performances are nothing short of virtuosic, fueled by raw, ecstatic horn runs ducking and weaving their way around thick bass lines and dizzying percussion.

While the Seattle-based collective is centered around a crew of six core members, they also make judicious use of a broad network of collaborators on the album, wrangling special guests like sax star Jaleel Shaw (Roy Haynes, Mingus Big Band), harpist Brandee Younger (Ravi Coltrane, The Roots), GRAMMY-nominated trumpeter Theo Coker, and keyboardist Jacob Mann (Rufus Wainwright, Louis Cole) to help stretch the boundaries of their already-expansive sonic universe. The result is a lush, cinematic collection that’s as unpredictable as it is engrossing, an urgent, exhilarating instrumental album that manages to speak to the moment without uttering a single word.

Maria Callas remains the epitome of the operatic diva and is recognized as one of the 20th century’s most legendary and enduring icons. She was both a glamorous diva and a global superstar who captivated audiences worldwide with her vivid and passionate performances. This Record Store Day special-edition LP features Callas in a glittering selection of opera favorites that showcases her unique voice and her heartbreaking portrayal of tragic heroines.
Maria Callas is very much alive in the hearts of opera lovers – her official Facebook page has over 600,000 ‘likes’ now.
Recordings remastered from original tapes in 2014 by Abbey Road Studios.

SIDE A
Georges Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Habanera)
Vincenzo Bellini: Norma, Act 1: "Casta diva"
Giacomo Puccini: Gianni Schicchi, Act 1: "O mio babbino caro"
Alfredo Catalani: La Wally, Act 1: "Ebben? ... Ne andrò lontana"
Giuseppe Verdi: La traviata, Act 1: "Ah, fors'è lui" - "Sempre libera"

SIDE B
Giacomo Puccini: Tosca, Act 2: "Vissi d'arte"
Giacomo Puccini: Madama Butterfly, Act 2: "Un bel di vedremo"
Umberto Giordano: Andrea Chénier, Act 3: "La mamma morta"
Giacomo Puccini: La bohème, Act 3: "Donde lieta uscì al tuo grido d'amore"
Gaetano Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi"
Gioachino Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa"

On his first album in partnership with Verve Records, Kurt Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions — and the result is a vibrant, yet meditative record propelled by laid-back charm and curious spirit.

Record-breaking, award-winning, Grammy-nominated RAMMSTEIN - one of rock's most individual and successful names - are returning with their new album "Zeit" (English: Time) on 4/29/22. 2 LP set on 180-gram vinyl in gatefold jacket with gold embossed logo sleeve. Large format 20-page booklet included.

Grammy-winning hard rock band Halestorm announce Back From The Dead, their fifth studio album due out May 6, 2022, and follow-up to 2018’s Vicious. Produced by Nick Raskulinecz (Foo Fighters, Mastodon, Alice in Chains) with co-production by Scott Stevens (Shinedown, Daughtry, New Year’s Day), Back From The Dead quickly evolved from songwriting exercises into a matter of survival for the band, taking the listener through ‘a journey of navigating mental health, debauchery, survival, redemption, and rediscovery, while still maintaining faith in humanity’ says frontwoman Lzzy Hale. The album features the title track which earned the band their sixth #1 at Rock Radio, and current single, “The Steeple.” Halestorm has grown from a childhood dream of siblings Lzzy and Arejay Hale into one of the most celebrated rock bands of the last two decades. Halestorm’s music has surpassed a billion streams worldwide. Fronted by the incomparable Lzzy Hale with drummer Arejay Hale, guitarist Joe Hottinger, and bass player Josh Smith, Halestorm has earned a reputation as a powerful live music force, headlining sold-out shows and topping festival bills around the world.

Oxeneers or The Lion Sleeps When Its Antelope Go Home is, in many ways, the completion of the promise made with the potential of This is Meant to Hurt You. The hooks are thicker, the guitars bigger and the songs are a simply stunning culmination of a years hard work and dedication. The album sparkles with a tight, visceral momentum, both angular and infectious. This is the record These Arms Are Snakes set out to make, a confident testimonial, a vicious revision, and a true confrontation in every sense of the word. Reissued on vinyl for the first time since 2004!

Chuck Berry, the songwriter and guitarist now known worldwide as the Father of Rock & Roll, came from humble begin­nings. After an evening in 1996 spent reminiscing about his storied career with his longtime friend Joe Edwards, owner of St. Louis restaurant and venue Blueberry Hill, Berry fulfilled the dream of music lovers everywhere; he started a live residency that spanned 209 shows at the 340-person capacity club. The club became a modern-day Mecca for rock fans, and a once-in-a-lifetime opportunity to see the legend perform up close and personal. Live From Blue­berry Hill compiles some of Berry's greatest hits from this epic run of shows played alongside his fantastic band - including his son Charles Berry Jr. and daughter Ingrid Berry. 

Van Morrison's 43rd studio album, What's It Gonna Take? (Exile Productions/Virgin) features 14 new compositions that collectively reflect his indefatigable drive to record and perform live in front of audiences. The album was produced by Morrison and is preceded by the single "Pretending," a gorgeous, restless, soul song.

The long-awaited vinyl companion to last year's highly acclaimed project that gathered an all-star cast of classic, prog and art rock musicians to recreate Pink Floyd's ambitious 1977 album Animals! Includes performances by jazz-rock guitar legend Al Di Meola, psych-rock godfather Arthur Brown, drum master Billy Cobham, UFO's Vinnie Moore, Bauhaus's David J, Dream Theater's James LaBrie, Rainbow's Graham Bonnet and so many more! Each track of this groundbreaking work has been completely reimagined with modern production flourishes and tasteful musical additions while staying true to the original album's heady and subtly complex composition! Among the truly die-hard Floyd fans, this album is considered one of the group's best, a perfect marriage of Waters & Gilmour's contrasting talents!

"Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We’ve Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can’t, or we don’t, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life’s changes can be both terrifying and transformative. We’ve Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages. We’ve Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them. We’ve Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can’t control, and what it means to be human in a world that is wracked by so much trauma. The track “Home To Me,” written about Van Etten’s son, uses the trademark “dark drums” of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, “Come Back” reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to “come back” to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, “Born” is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. Unlike Van Etten’s previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We’ve Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten’s uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish."

Asking Alexandria is teaming up for the first time with Better Noise Music for their 7th studio album, See What's On the Inside, out October 1st. Their nearly 2M Spotify followers, 6 Billboard 200 charting albums (3 appearing in the top 10) and past success at radio (singles on last album reached #3 and #7 on US Active Rock) have primed the band for success. With a billion and a half streams and an upcoming fall US tour with A Day To Remember, Asking Alexandria is returning with a revival and a rebirth after spending the winter of 2021 living in the studio, the first time band had spent a period alone together writing and recording in over a decade. The product is the truest album by the band yet.

The album is the biggest selling in the band's illustrious catalog, with sales surpassing twelve million copies since its 1993 release. The album contains nineteen classics including 'American Girl,' 'Refugee,' 'Don't Come Around Here No More' and many others. The collection also features the singles from Tom Petty's solo album Full Moon Fever including 'Free Fallin,' 'I Won't Back Down' and 'Runnin' Down A Dream.' Rounding out the track listing are 'Mary Jane's Last Dance' and a cover of Thunderclap Newman's 'Something In The Air' which were first made available on this hits collection.

A live solo acoustic show recorded at Los Angeles Dorothy Chandler Pavilion on February 1 1971. A famous bootleg titled “I’m happy that y’all came down”

It’s finally here – Metallica’s eponymous album, better known as The Black Album – is remastered and will be available everywhere on September 10^th. The Black album is one of the most commercially successful and critically acclaimed records of all time, with global sales of over 35 million, and contains a series of unrelenting singles, “Enter Sandman,” “The Unforgiven, “Nothing Else Matters, “Wherever I May Roam,” and “Sad But True.” Remastered by Bob Ludwig at Gateway Mastering and overseen by executive producer Greg Fidelman.

 

Remastered edition of Metallica on double-LP 180-gram vinyl. Includes an MP3 download card.

The Black Parade, My Chemical Romance's follow-up to its 2004 platinum major-label debut Three Cheers For Sweet Revenge, "is way more dramatic, way more theatrical, completely over the top, borderline psychotic," says Gerard Way. "It's the most pure, intense thing we've ever been involved in." Produced by Rob Cavallo (Green Day), the album is a celebration of love and death and darkness. Join The Black Parade.

Certified 16x platinum in the U.S., the commercial success of Physical Graffiti was equaled by its critical reception. Generally regarded as one of the greatest double albums of all time, the original 15 tracks represent a creative tour de force that explores the band’s dynamic musical range, from the driving rock of “Custard Pie” and acoustic arrangement of “Bron-Y-Aur Stomp” to the Eastern raga of “Kashmir” and funky groove of “Trampled Under Foot.” Original album on 2 180gram vinyl LPs, newly remastered in top-loading wraparound die cut insert U-card, LPs in printed inner sleeves, replicating the original album.

Metallica's debut album 'Kill Em All' available on 180gm vinyl. The true birth of thrash. On Kill 'Em All, Metallica fuses the intricate riffing of New Wave of British Heavy Metal bands like Judas Priest, Iron Maiden, and Diamond Head with the velocity of Motörhead and hardcore punk.

Canadian rockers Three Days Grace release their seventh studio album, Explosions via RCA Records. THREE DAYS GRACE singer Matt Walst states: "In these crazy and divided times, everyone needs something to take the edge off."