“We’re a bunch of outsiders who refused to be kept out,” says High Pulp drummer Bobby Granfelt. “We’ve never had an academic approach to jazz—most of us grew up playing in DIY bands—so it was the rawness and the energy and the absolute freedom of the music that called to us in the first place.”

Indeed, there’s something defiant, something utterly liberating about High Pulp’s remarkable ANTI- Records debut, Pursuit of Ends. Drawing on punk rock, shoegaze, hip-hop, and electronic music, the band’s brand of experimental jazz is both vintage and futuristic all at once, hinting at times to everything from Miles Davis and Duke Ellington to Aphex Twin and My Bloody Valentine. The songs here balance meticulous composition with visceral spontaneity, and the performances are nothing short of virtuosic, fueled by raw, ecstatic horn runs ducking and weaving their way around thick bass lines and dizzying percussion.

While the Seattle-based collective is centered around a crew of six core members, they also make judicious use of a broad network of collaborators on the album, wrangling special guests like sax star Jaleel Shaw (Roy Haynes, Mingus Big Band), harpist Brandee Younger (Ravi Coltrane, The Roots), GRAMMY-nominated trumpeter Theo Coker, and keyboardist Jacob Mann (Rufus Wainwright, Louis Cole) to help stretch the boundaries of their already-expansive sonic universe. The result is a lush, cinematic collection that’s as unpredictable as it is engrossing, an urgent, exhilarating instrumental album that manages to speak to the moment without uttering a single word.

An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of the Civil Rights Movement and one of the most groundbreaking jazz albums of all time.  The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.  Roach vowed after its release that he would never again play music that is not socially relevant and told Down Beat magazine, "We American jazz musicians of African descent have proved beyond all doubt that we’re master musicians of our instruments. Now what we have to do is employ our skill to tell the dramatic story of our people and what we’ve been through."

TRACK LISTING:

Driva Man
Freedom Day
Triptych: Prayer/Protest/Peace
All Africa
Tears for Johannesburg

In May of 1957, Art Blakey and his Jazz Messengers went into the studio with Thelonious Monk to record a one-off album for Atlantic. The Jazz Messengers were a loose collective of young Jazz musicians, with a constantly rotating lineup to keep the music fresh and help launch new careers. In this iteration we find Art Blakey on drums, Thelonious Monk on piano, Johnny Griffin on tenor saxophone, Bill Hardman on trumpet and Spanky DeBrest on bass. -Blakey had recorded with Monk on various occasions, but this was the first time Monk sat in with the Jazz Messengers. This also marks Thelonious Monk’s only appearance on Atlantic Records. The result is a true meeting of the minds, a beautiful union of Monk’s melodies with Blakey’s unshakable sense of swing. This 65thAnniversary deluxe edition includes an extra disc ofunreleased outtakes, celebrating the most sensational jazz collaboration of the 1950s.

This noteworthy live performance, recorded on Record Store Day in 2018 at Plaid Room Records, features songs tracked directly to tape and engineered/mixed by Colemine Records label owner Terry Cole. This show was the first time that the label crew had met the Delvon Lamarr Organ Trio in person, and was also the day they were releasing their RSD 2018 release 'Live At KEXP!' And now, this whole live set comes full circle, and is available on pink vinyl for RSD 2022! Featuring the band's original lineup, Live In Loveland documents a momentous record store (and Record Store Day!) occasion.

1 Introduction 
2  Concussion
3  Memphis
4 You Know When I'm Right Or Wrong
5  Move On Up Live 
6  Can I Change My Mind 
7  Ain't It Funky Now 
8 Love Land 
9 Tacoma Black Party

Norah Jones’ seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

Esperanza Spalding's new album SONGWRIGHTS APOTHECARY LAB explores how songwriters may incorporate knowledge in consultation with practitioners of music therapy, neuroscience, and more to create music that can have a specific effect on the listener. These 12 new songs were created and recorded with different musicians in her traveling lab over the past several months and follow her GRAMMY Award-winning album from 2019, 12 Little Spells. 2 LP includes 1 bonus track "Formwela 12".

Available for the first time anywhere, Live in Paris features two concert recordings made by Chet Baker at Esplanade De La Defence on July 17, 1983, and at Le Petit Opportun on February 7, 1984. Captured in glorious stereo by Radio France. Featuring bassists Riccardo Del Fra and Dominique Lemerle, and legendary pianist Michel Graillier. Includes liner notes by GRAMMY-winning writer/author Ashley Kahn, interviews with Riccardo Del Fra and Dominique Lemerle, an essay by French journalist Franck Bergerot, and recollections by former Chet Baker sideman Richie Beirach. With never-before-seen photos from French photographer Christian Rose and Franck Bergerot. Transferred from the original Radio France tape reels by INA. Mastered for vinyl by legendary sound engineer Kevin Gray at Cohearent Audio and pressed on 180-gram vinyl.

LP1:
SIDE A:
1) THERE WILL NEVER BE ANOTHER YOU 14:42
2) EASY LIVING 14:28
SIDE B:
1) BUT NOT FOR ME [vocals by Chet Baker] 15:42
2) STELLA BY STARLIGHT [Final words by Chet Baker] 8:43
 
LP2:
SIDE C:  
1) FUNK IN DEEP FREEZE 12:19
2) JUST FRIENDS [vocals by Chet Baker] 12:55
SIDE D:  
1) ARBOR WAY 18:55
     
LP3:
SIDE E:
1) STROLLIN’ 14:24
2) MARGERINE 9:54
SIDE F: 25:26
1) LAMENT 15:19
2) WALKIN’ [final words by MC Claude Carričre] 10:07

Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s, it wasn't until 1962 - at least 20 years after Duke first suggested it - that these two recorded their only session together. High points include an exuberant "The Jeep Is Jumpin'," an interesting remake of "Mood Indigo," and a few new Ellington pieces. Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180-gram vinyl in deluxe gatefold packaging.

Limited direct metal mastered 180gm vinyl LP pressing of this album from the Blues great including four bonus tracks.. Wax Time.

Alfa Mist is one of the driving forces behind a young and vibrant scene of UK musicians, who've taken on jazz as their musical narrative. On his latest album Bring Backs the producer, self-taught pianist and rapper takes us on a sonic trip back to his beat-making past on the streets of East London, through the depth and musicality he discovered composing and playing jazz. Following the release of Bring Backs, London based producer, pianist, bandleader and MC Alfa Mist releases a new two track EP, Two For Mistake via ANTI-, on 10" vinyl. Recorded live at Alfa's studio session from London's renowned Metropolis Studios earlier in 2021, the EP includes 'Bumper Cars' - an extended live version of the Bring Backs album track 'Last Card' - and a cover of Freddie Hubbard's 1971 classic 'First Light'. The new EP arrives ahead of Alfa's upcoming tours, which include his debut US shows. The run will prove to be the first time fans will be able to hear tracks from Bring Backs and Two For Mistake in a live setting.

The greatest bassist leader jazz has ever known, Charles Mingus, with his spirited playing and spontaneity, always kept his ears and fingers on the pulse. “Mingus was something else, man,” Miles Davis wrote in his own book. “A pure genius, I loved him.”-This year marks the birth centenary of Charles Mingus, whose musical legacy is still ongoing. From artists like Kamasi Washington bringing him to a new generation, Chrissie Hynde, whose latest album includes a Mingus cover, Candace Springs, Elvis Costello, to Gang Starr sampling him, and Joni Mitchell writing lyrics to his music. -Originally released in 1957 on the Jubilee label, Mingus Three is one of only two albums led by Mingus in a trio setting, featuring pianist Hampton Hawes and drummer Dannie Richmond. This remastered release includes a whole extra disc of previously unreleased outtakes, discovered by chance, from these sessions, as well as liner notes by Charles Mingus’ friend and colleague Sy Johnson.

Hank Mobley / CURTAIN CALL Originally released on the Japanese Blue Note label in 1984. It was recorded on August 18, 1957 and features Mobley, trumpeter Kenny Dorham, bassist Jimmy Rowser, pianist Sonny Clark, and drummer Art Taylor.

WE ARE is a career-changing album from musician and activist Jon Batiste. WE ARE celebrates Black American culture and music while exploring themes of lineage, authenticity, excellence and evolution. This album is about honoring roots and traditions, while looking forward to the future and constantly evolving. Featuring Mavis Staples, Zadie Smith, PJ Morton, Trombone Shorty, Kizzo, Autumn Rowe, Steve Jordan, and many more...

Tony Allen has long been acknowledged as Africa's finest drummer and one of the continent's most influential musicians. Together with Fela Kuti (with whom he played for 15 years) Allen co-created Afrobeat - the hard-driving, horns-rich, funk-infused, politically insurrectionary style which became such a dominant force in African music and such an influence worldwide. His iconic drumming has since underpinned an extensive catalogue of solo works as well as collaborations with the likes of Damon Albarn (as part of The Good, The Bad and The Queen), Charlotte Gainsbourg, Sebastien Tellier, Grace Jones, Malian superstar Oumou Sangaré, Jeff Mills and Hugh Masekela.

Recorded in 1962 (but not released until 1979), Jackie McLean's album, Tippin' the Scales, found the Blue Note stalwart leading a quartet with Sonny Clark, Butch Warren, and Art Taylor through a stellar set of hard bop including originals by McLean, Clark, and Vernon Duke's "Cabin in the Sky." Produced by Joe Harley and mastered by Kevin Gray. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Norah Jones’ seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

Trombone Shorty returns with Lifted, his first album in 5 years and the follow-up to his Blue Note debut Parking Lot Symphony, featuring special guests including vocalist Lauren Daigle & guitarist Gary Clark Jr. An album that captures the energy of his legendary live shows, Lifted combines classic New Orleans sounds (funk, gospel, street rhythms, Mardi Gras Indian chants & second lines) with modern lyrics, melody & beats to create something fresh & unique. Part Jimi Hendrix, part James Brown and all New Orleans, Troy “Trombone Shorty” Andrews is the bandleader and frontman of Trombone Shorty & Orleans Avenue, a hard-edged funk band that employs brass-band beats, rock dynamics & improvisation in a jazz tradition.

180 gram VINYL AUDIOPHILE PRESSING.

180 GRAM VINYL LP WITH BONUS CD DIGIPAK! Containing the complete Etta James albums AT LAST! And THE SECOND TIME AROUND plus 7 bonus tracks.

Limited 180gm audiophile vinyl repressing of this Jazz classic. Now cited as one of his best albums, Waltz for Debby was a live album from Bill Evans' trio and was the companion release to the critically acclaimed Sunday at the Village Vanguard. Wax Time.

Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but it's rhythms were firmly planted in funk, soul, and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken). Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital decades after it's initial release, and it's genre-bending proved vastly influential on not only jazz, but funk, soul, and hip-hop. Track listing: Chameleon, Watermelon Man, Sly, Vein Melter.

Limited edition of 1500 individually numbered copies on crystal clear & pink mixed coloured 180 gram audiophile vinyl, Breakin' Away is a great follow-up of Soul crooner Al Jarreau to his previous album This Time. The album was released in 1981 and became the standard bearer of the L. A. Pop and R&B sound. The album was certified Platinum by the RIAA. The album was created with an amazing producer/artist chemistry, and top-level players like George Duke, David Foster, Dean Parks, and Steve Gadd can be heard on this record.

Limited edition high definition premium 180gm vinyl LP repressing of this classic Jazz album. Originally issued on vinyl, the ongoing popularity of LP pressings and repressings has ensured the longevity of this format for years to come. Jazz Wax Records. 2010.

180-gram pressing. Recorded in 1959, "Kind of Blue" remains one of the most celebrated and influential jazz albums ever made. It combined the talents of such soloists as Miles Davis, the leader, on trumpet, Cannonball Adderley on alto sax, John Coltrane on tenor sax, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums.

Limited purple colored vinyl LP pressing. 2020 album from the iconic funk and soul jazz saxophonist.

180 gram audiophile vinyl. Tower of Power is known to blend soul, funk, jazz and rock like no other band and has done so successfully for the past 50 years. Their debut album East Bay Grease was originally released in 1970. The album features the popular tracks "Sparkling In The Sand", "Back On The Streets Again" and "Knock Yourself Out".

Genesis of Genius: The Contemporary Albums combines legendary Jazz saxophonist Ornette Coleman's albums for Lester Koenig's Contemporary Records. This deluxe box set features Coleman's first albums as a bandleader, Something Else!!! and Tomorrow is the Question!. Both albums were originally recorded by legendary engineer Roy DuNann & have been newly mastered by Bernie Grundman. Includes 32-page booklet with photos & extensive new liner notes by GRAMMYr Award-winning music historian Ashley Kahn.

Gatefold 180-gram vinyl. Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist Joao Gilberto, featuring pianist and composer AntĂ´nio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records.

GREGORY PORTER / WATER - Gregory Porter's debut studio album, Water - originally released in 2010 under the Motema Music label - is now reissued on Blue Note Records. The tracks include love stories such as "Illusion and Pretty," and protests for African-American civil rights like "1960 What?" which recounts the 1967 Detroit riots. Water was hailed by fans and critics alike, elevating Porter to the status of the next great jazz star and marking the beginning of his successful career. 2 LP set pressed on clear vinyl.

Limited Edition classic LP's. Limited quantities available! High-definition premium vinyl pressing for super fidelity. 180 gram vinyl -audiophile pressing. Wax time records.

The Sun Ra Arkestra directed by Marshall Allen. 180 gram Virgin Vinyl. Mastered & pressed in Germany. Contains Bonus Tracks not found on the CD.

Forever alterable, young again & freshly strengthened, the Sun Ra Arkestra under the direction of Marshall Allen presents itself on "Live at the Babylon" the 14-piece Centennial Dream Arkestra at Istanbul's Babylon music club. It is a landing to the spot on the hundredth birthday of its founder, Jack-of-all-trades Sun Ra, kicking off the jubilee tour 2014, which led the band around the globe. The ensemble sparks with a briskness that is testimony to the timelessness and infinity of the mission.

The jubilee-concert at the Babylon is an illustration of to the enthusiasm of the brothers Mehmet and Ahmet Ulug. The tenacious Sun Ra fans indeed made it happen, to bring the Sun Ra Arkestra to Istanbul for the very first time on April 1990.

Marshall Allen, Knoel Scott and Elson Nascimento are the eyewitnesses within the Arkestra, who extend the grand moment of Istanbul into this truly amazing recording. Attracted by rhythm layers which reach into each other, the listener gets into the musical cosmos in a quite gentle way, as if sleepwalking. The pieces build upon each other and grow into each other. Microton-sequences oscillate across the entire interplay of compositions, they emerge and dive, change perpetually, as if the tones were alchemical ingredients of a lively and ever more self-generating primeval soup. The merit goes to Marshall Allen, who is tirelessly evaluating and interpreting the immeasurable treasure of the tone-documents Sun Ra left behind.

These recordings stem from the never-ending rehearsals in Sun Ra's headquarter, and their musical treasure has never before been unveiled in front of an audience, and also never before been recorded with decent quality. Being reconstructed from the original, compositions such as ''Ra #2'' and ''Carefree #2'' experience a splendid resurrection, be it in the live concert or on the recording "Live at the Babylon".

It is a sensation. It is Sun Ra rediscovered.

Live At Babylon - Sun Ra Arkestra

50 years ago, Herb Alpert & The Tijuana Brass released the iconic album, Whipped Cream & Other Delights. In celebration of it's momentous 50th anniversary, this classic of American pop music is once again available on CD and vinyl, remastered and better than ever!

Import only 180 gram audiophile vinyl pressing. 2009.

Limited edition high definition premium 180gm vinyl LP repressing of this classic Jazz album. Originally issued on vinyl, the ongoing popularity of LP pressings and repressings has ensured the longevity of this format for years to come. Jazz Wax Records.

This double LP release features one of Miles Davis’ final great bands: John Scofield on guitar, Bill “The Other Bill Evans” Evans on saxophones, flute and electric piano, Darryl Jones on bass, Al Foster on drums, and percussionist Mino Cinelu. Miles was back in amazing form (“incandescent and iridescent as ever,” critic Greg Tate noted), when he mounted the stage at the Theatre St-Denis during the Festival International De Jazz De Montreal in July 1983, and this revelatory performance has been lovingly mixed and mastered for its first ever release, on vinyl for Record Store Day 2022. (A CD will be part of the next edition of the Miles Davis Bootleg Series, focusing on the 1981-1985 period, later in the year.)

What It Is includes tracks from that year’s release Star People, the Marcus Miller tune “Hopscotch” and the song “Jean-Pierre” that appeared on 1982’s We Want Miles. The recordings of “What It Is” and “That’s What Happened” were so well thought of by Miles that he utilized them for his 1984 release Decoy, but in heavily edited form and this release would include the first release of them in complete form. Packaged in beautiful gatefold packaging, the album features liner notes penned by the incomparable music journalist Greg Tate and represent some of his final writing.


Side A
1. Speak (That’s What Happened)
2. Star People

Side B
1. What It Is
2. It Gets Better

Side C
1. Hopscotch
2. Star On Cicely
3. Jean-Pierre

Side D
1. Code 3
2. Creepin’ In