This album was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests & riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilisation of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.
The fifth studio project from the Tedeschi Trucks band, is the most ambitious and, at the same time, intimate record that America's best rock'n'roll big band has ever made: a genuinely epic undertaking in four episodes and 24 songs inspired by classical literature but emotionally driven by the immediate drama, isolation and mourning of the pandemic era.
Steve Earle has been creating intimate and personal music for well over four decades now. His songwriting has wound itself along a path from Texas to Tennessee and his education came in the form of learning from the best. 2009’s Grammy-nominated record, TOWNES, was a tribute to his dear friend and mentor, Townes Van Zandt. Ten years later Earle released, GUY. An album concentrated on paying homage to the late Guy Clark and the indelible friendship that they had formed in stories told through song. 2022 welcomes the release of JERRY JEFF. A 10-song collection of songs written by the gypsy songman, Jerry Jeff Walker. Featuring hits like, “Mr. Bojangles” and “Gettin’ By”, Earle & The Dukes honor the late Texan by amplifying the concept and sound of each song with a full-band recording.
Drift, their fifth studio album sees PIANOS BECOME THE TEETH taking another sonic step forward to craft a musical statement that truly transcends genres.
For the recording of Drift, the band took it back to basics, starting at a family-owned cabin in the woods of Virginia, that they transformed into an analog recording studio. The band lived together, recorded together and ate dinners together where they would listen to the day’s recordings, talk about them and pull them apart and reworking them, creating what may be their finest album to date.
Per front man Kyle Durfey, “Something that we really took away from this experience was just the connection we had together. We produced the record ourselves with our longtime friend/collaborator/engineer Kevin Bernsten who recorded our first two records.” The recordings that the band created using innovative recording techniques, recording 100% analog are sonically transportive and certain to mystify and inspire generations of recording artists. All the echoes were made with old echoplexes and tape delay, which made for a really organic record. With Bersten’s help the band was able to take some of the weirder and more ambitious ideas they had and turned them into reality making this a fantastic album for immersive headphone listening.
PRE PLEASURE, the beautiful new full-length album from Australian native Julia Jacklin, finds the musician at her absolute peak, delivering ten of the most personal, raw, and devastating songs of her career. Featuring stand-outs such as "Lydia Wears A Cross," "Love, Try Not To Let Go," and the driving "I Was Neon," the album is a clear portrayal of Jacklin's captivating strength as a lyricist, and her undeniable talents as one of the most gifted songwriters of the decade.
The first-ever authorized and in-depth archive in Blondie’s history, a rarity for a band almost 50 years into their career with 40 million records sold. Against The Odds: 1974-1982 features 124 songs (36 previously unreleased) remastered from the original analog tapes and cut at Abbey Road Studios. Super Deluxe Collector’s Edition presents their first 6 albums expanded to include over 4 dozen demos, alternate versions, and outtakes - plus, a 120-page discography and a 144-page hardback book. 10 LPs/10” LP/7” Single.
Brotherkenzie is the solo output from Minneapolis producer and songwriter Nathan Stocker – and, through the project, lives in the shadows, operating on the outskirts of the music industry, something he’s grown increasingly less interested in as he ages. Brotherkenzie’s music is a chasm carved from honesty and earnestness, the result teetering between catchiness and pop, but with sharp edges.
On the cover of Nathan, Stocker is about to be enveloped by an enormous black box in a deadened Minnesotan sprawl, framed by the eeriness of placid blue skies, the suggestion of a cold wind. It’s like a snapshot of calm caught in a moment before something bad happens, but you don’t know quite what that bad is yet. The looming black mass is a physical manifestation of narcissism – and Nathan is an exhaustive exploration of that. It’s an artifact of what happens when you listen to, and obey, your demons. A final look-a-round at the dirt you’ve known your whole life before descending to the eternal what-have-you.
The record is a re-introduction to Stocker’s solo output as brotherkenzie; his last release, 2020’s BIG WHAT closed the first chapter of the project, while Nathan explores the afterlife of a creative death. The 12 songs collected here are intended to signify a new brotherkenzie era: one embracing sex and heathen ideals. Even the title vies for blasphemy; Stocker’s attempt to divorce his first name from its loaded religious meaning and instead take ownership of it. It’d be easy to say it’s in response to Stocker’s deeply religious upbringing, but that’s too simple – instead, it’s an exercise in “what if’s?,” leaning into the dark side, interested in exploring what it means to be satanic without ever mentioning a devil – or any type of God, or religion – by name. Instead, Stocker wonders what happens when you die and are reborn as a demon. When you operate without goodness in mind. Is that a mode for something true? Even if it’s evil?
Stocker wrote these songs from March to November of 2020. It was isolating in the usual ways for that time, of course, but he was also juggling a number of relationships that were unhealthy for a myriad of reasons. He was stuck in a cycle, unable to escape, and every time he sat down the self-loathing and demons came out. Here he examines that self-destructive tenderness, observant of the way he was then but not fraught over it. Instead, he’s like a documentarian of trying times; of what it feels like to grow a new epidermis instead.
25-year-old GRAMMY-nominated artist Marcus King prepares to release his new album, Young Blood, produced by Dan Auerbach of The Black Keys via Rick Rubin's American Recordings/Republic Records. He has toured with The Marcus King Band for over 10 years, as well as tours with Chris Stapleton, Greta Van Fleet, and Nathanial Rateliff. He’s released 3 LPs with The Marcus King Band before his GRAMMY-nominated 2021 solo debut LP, El Dorado. Indie Exclusive Yellow LP.
Breaking a decade of omertà, The Mars Volta reawaken from their lengthy hiatus with an eponymous track that radically reshapes their paradigm. Formed by guitarist/composer Omar Rodríguez-López and singer/lyricist Cedric Bixler-Zavala, The Mars Volta rose from the ashes of El Paso punk-rock firebrands At The Drive-In in 2001. On a mission to “honour our roots and honour our dead”, The Mars Volta made music that fused the Latin sounds Rodríguez-López was raised on with the punk and underground noise he and Bixler-Zavala had immersed themselves in for years, and the futuristic visions they were tapping into. The albums that followed were one-of-a-kind masterpieces, their songs of breath-taking complexity also possessing powerful emotional immediacy. After the group fell silent, a legion of devotees (including Kanye West) kept up an insistent drum-beat for their return.
Now – a year after La Realidad De Los Sueños, a luxurious 18-LP box-set compiling their back catalogue, sold out its 5,000 print run in under 24 hours – the duo are back, accompanied this time by founder bassist Eva Gardner, drummer Willy Rodriguez Quiñones and keyboard-player Marcel Rodríguez-López. This song shakes loose some of The Mars Volta’s long-standing shibboleths and the dizzying, abrasive prog stylings of earlier albums absent.
Instead, The Mars Volta pulses with subtle brilliance, Caribbean rhythms underpinning sophisticated, turbulent songcraft. This is The Mars Volta at their most mature, most concise, most focused. Their sound and fury channeled to greatest effect, The Mars Volta finds Rodríguez-López’s subterranean pop melodies driving Bixler-Zavala’s dark sci-fi tales of the occult and malevolent governments. Distilling all the passion, poetry and power at their fingertips, The Mars Volta is the most accessible music the group have ever recorded.
On September 16, Capitol Records will release Marcus Mumford’s debut solo album, (self-titled). Produced by Blake Mills (Alabama Shakes, Jim James), the album includes duets with Brandi Carlile, Phoebe Bridgers, Clairo, and Monica Martin. Indie Exclusive Red Transparent 180-gram LP.
Girl Of My Dreams is an up-close look at the moments of heartache, triumph and deeply transformative experiences on FLETCHER's way to self-discovery. The new record expands on the boldly detailed storytelling she’s brought to hits like “Undrunk” and “Bitter.” This time around, FLETCHER reveals her inner world more fully and fearlessly than ever before, embracing the kind of uninhibited honesty that’s freeing for both artist and audience.
Wide Eyed Nowhere is Turin Brakes’ ninth full studio album, a set of new songs emerging 21 years after their seminal debut. It's no easy feat maintaining an optimistic attitude through the turbulence of the years, but the band found their own method down in deepest Tooting to produce this lean, bittersweet collection.
The South London 4-Piece comprising Olly Knights, Gale Paridjanian, Rob Allum and Eddie Myer recorded this new set of songs at Twin Palms - Olly's garden studio - over the summer of 2021, choosing to let time infuse into the music and mature in a way it couldn’t in a pressurised commercial studio setting.
Turin Brakes released Mercury Prize shortlisted the Optimist in March 2001 (achieving gold status in the UK), followed up by 2003’s Ether Song which featured the top 5 hit single "Pain Killer (Summer Rain)". The band has since moved on to rack up seven top 40 singles, seven top 40 albums and over a million record sales worldwide.
Created during the pandemic lockdown,The Trouble with Fever, co-produced with her husband, Patrick Carney, is Branch's fourth solo album and follows her critically acclaimed 2017 album,Hopeless Romantic. The time at home gave Branch the opportunity to stretch herself creatively. She says: "The album began during the 2020 lockdown, while Patrick and I were here at home in Nashville. I didn’t realize I was making a record at first — it was more just for our own sanity, living in a house with a toddler, getting time together to play music and screw around in the studio. I had some unfinished songs that I’d started during the Hopeless Romantic recordings that I wanted to revisit and finish."
Little Big Town is set to release their brand-new studio album, Mr. Sun, on September 16, 2022. This is their 10th studio album and first new music in over 2 years. It features their latest single, “Hell Yeah.” Little Big Town first entered the music scene more than 20 years ago. The band’s breakthrough albums, Tornado and Pain Killer, produced multiple #1 singles, including “Pontoon,” “Tornado,” and “Day Drinking,” as well as 2015’s history-making, best-selling country single of the year, “Girl Crush.” Their 2017 release, The Breaker, debuted at #1 on the Billboard Country Albums chart and #4 on the Billboard 200 to critical acclaim. “Wine, Beer, Whiskey,” was the latest from their self-produced 9th studio album, Nightfall, which also reached the top of the Billboard Country Albums chart and has garnered over 316 million global streams.
Vinyl LP pressing. 2022 release. Spanish Villager No. 3 is the highly anticipated third studio album from Grammy-nominated artist Ondara. Featuring the single, "An Alien in Minneapolis," the album was produced by Ondara and Mike Viola.
Ringo Starr's newest EP - cleverly named `EP3' - includes 4 new tracks featuring longtime collaborators Steve Lukather, Linda Perry, Dave Koz, Jose Antonio Rodriguez and Bruce Sugar. `EP3' is filled with Ringo's instantly recognizable vocals, feel-good lyrics and easy-breezy melodies. Available on CD.
In the kitchen of the Byron Bay home of Winston McCall stands a refrigerator, adorned on one side by a quote from Tom Waits: “I want beautiful melodies telling me terrible things.”
This, the PARKWAY DRIVE vocalist says, is a pretty good summation of him-self. It holds true, too, as one of the guiding principles behind Darker Still, the seventh full-length album to be born of this picturesque and serene corner of north-eastern NSW, Australia, and the defining musical statement to date from one of modern metal’s most revered bands.
Darker Still, McCall says, is the vision he and his bandmates – guitarists Jeff Ling and Luke Kilpatrick, bassist Jia O’Connor and drummer Ben Gordon – have held in their mind’s eye since a misfit group of friends first convened in their parents’ basements and backyards in 2003. The journey to reach this moment has seen Parkway evolve from metal underdogs to festival-headlining behemoth, off the back of close to 20 gruelling years, six critically and commercially acclaimed studio albums (all of which achieving Gold status in their home nation), three documentaries, one live album, and many, many thousands of shows.
While Darker Still remains irrefutably PARKWAY DRIVE, it finds the band sonically standing shoulder to shoulder with rock and metal’s greats – Metallica, Pantera, Machine Head, Guns N’ Roses – as much as it does their metalcore contemporaries. “I wanted a classic guitar tone for this record,” explains Ling, who credits much of his inspiration to the connection his riffs have with a crowd in a live setting.
Emerging from the darkness of the past few years, this is the true face of PARKWAY DRIVE: redefined and resolute, focused in mind and defiant in spirit.
Since the band's inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of musicians making music and playing live together. "I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas, " says Martsch. "And it's nice to be in a band with people who aren't sick of me yet." Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of it's own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. "I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed." (The rumors are true, we love quinquagenarians...). When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.
Charley Crockett will release his latest album The Man From Waco on September 9th via Son of Davy/Thirty Tigers. Crockett wrote or co-wrote all 14 songs on the album, and in many ways The Man From Waco is the purest distillation of his artistry to date. What started as a demo session with producer Bruce Robison at Robison’s studio The Bunker outside Austin, TX turned into the first album Crockett has ever made with his band The Blue Drifters backing him from start to finish. Mostly first takes with only a handful of overdubs, The Man From Waco finds Crockett refining his singular “Gulf & Western” sound which continues to captivate an ever-growing legion of fans.
“I just wanted an honest partnership: do it at your place, live to tape, everybody in the room,” Crockett says of the recording experience, and Robison was happy to accommodate. “The magic is in the performances on that tape. That’s what Bruce wanted to do, that’s what I wanted to do. When we were done, I said ‘these are masters, not demos.’”
There’s a loose narrative thread that ties the album together, but at the center of The Man From Waco is Crockett, who continues to trust his instincts and carve out his own singular space. Eschewing the ever-growing siren song of major labels and GRAMMY-winning producers, Crockett is forging ahead as a mostly DIY artist, calling his own shots and giving himself the space to strive for greatness on his own terms.
“Everybody was telling me: ‘go right, go right, go right,’” says Crockett. “I went left. I had to hold on to what has gotten me this far.”
The Man From Waco will be in a record store near you on September 9th on CD, Vinyl, and an indie record store exclusive edition featuring alternate album artwork.
Over the course of the last two decades, Of Montreal's creative force, Kevin Barnes, has been wowing fans with their vast catalog of endlessly fascinating pop and mesmerizing live shows. Barnes' songwriting and production aesthetic has since become iconic in the industry and has garnered massive critical acclaim in publications such as Rolling Stone, The New York Times, NPR, and Pitchfork, who described the band's album, Hissing Fauna, Are You The Destroyer? as "ceaselessly fascinating and inexhaustibly replayable," as well as ranking it as the #5 album of the year. Barnes' influence on pop music is undeniable, with multiple late night TV appearances, including The Late Show With David Letterman and Late Night with Jimmy Fallon, as well as brilliant collaborations with the likes of Solange, Janelle Monáe, Jon Brion, and others. The band has also performed across the globe, with festival appearances at Coachella, Sasquatch!, Pitchfork Music Festival and others, as well as hundreds of millions of streams worldwide. On Of Montreal's latest album, Freewave Lucifer f ck f ck f ck, Barnes continues to push the boundaries of what pop music can be. On songs like "Marijuana's A Working Woman," Barnes revisits themes of psychedelia using pulsating synths over their instantly recognizable bass playing. The album also touches on aspects of gender fluidity and is a fascinating look at what makes Barnes one of the most prolific and creative songwriters making music today. "An astonishingly good late-period record from Of Montreal that's as uncomfortably savage in it's depiction of breakup psychology as it is relentlessly catchy." -Pitchfork (8.7 Best New Music - Hissing Fauna, Are You The Destroyer?)"The thesaurus-loving psychedelic chameleons return with what might be the glammiest groove since the late Marc Bolan shimmied on to the next dimension." -Rolling Stone on Aureate Gloom"[Lousy With Sylvianbriar] is one of the most memorable, lasting, and relatable albums in Of Montreal's extensive catalog, and easily one of the best." -AllMusic"... every year or so Of Montreal is going to release a new full-length of mind-bending glam-punk decadence that sort of blows everything else away." -Paste
Live recording from the soundboard during the Alive II tour at Veterans Memorial Auditorium in Des Moines, IA, on November 29, 1977. Features “Let Me Go, Rock ‘N’ Roll,” “Beth,” and more performed by Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss.
The Paranoyds are Southern California DIY rock royalty. Fueled by the fiery energy of their live shows paired with raw lyricism and subtle societal commentary, The Paranoyds are unafraid and unapologetically in perpetual pursuit of a good time. The four-piece is made up of Laila Hashemi (keyboardist-vocals), Lexi Funston (guitars/vocals), Staz Lindes (bass/vocals) and David Ruiz (drums, vocals) who together masterfully blend light-hearted playfulness with sharp sincerity over fuzzy guitar, dreamy vocals and punchy, punky rock-n-roll.
Talk, Talk, Talk, the sophomore album from The Paranoyds gives the band space to expand, evolve and above all, have fun. Over 11 tracks, the band experiments with sounds that span an eclectic array of genres–from jazz, to lo-fi punk-rock, to groovy R&B–that melt together showcasing the innovative range of The Paranoyds.
To coincide with the band celebrating their 50th anniversary this year, Roxy Music’s career-encompassing collection from 2001 is available for the first time on vinyl. Containing all of their classic singles including “More Than This,” “Jealous Guy,” “Love Is the Drug,” “Virginia Plain,” and classic album cuts, it’s a definitive testament to one of the most influential and daring artist catalogs of all time. This beautifully presented 2 LP set includes enhanced artwork and full song lyrics.
Megadeth's new album features 12 new songs from the titans of thrash metal! Produced by Dave Mustaine and Chris Rakestraw, the follow-up to the Grammyr award-winning Dystopia album will melt fans ' minds with songs like "We'll Be Back," the new radio hit "Soldier On!" and "Night Stalkers" featuring Ice-T. Indie Exclusive Deluxe 2 LP on 180-gram vinyl includes a 7" single of "We'll Be Back," b/w an unreleased 2021 live version of "The Conjuring," with lenticular litho. Limited Edition. Deluxe 2 LP/7" Single
YUNGBLUD is the self-titled third album by 24-year-old singer/songwriter and multi-instrumentalist YUNGBLUD (Dominic Harrison). Following the success of 2018’s 21st Century Liability and 2020’s weird!, his third record is simply titled YUNGBLUD: it’s a reclamation of his own narrative and the consolidation of his artistic identity. YUNGBLUD is out September 2, 2022. Indie Exclusive Pink LP.
Capitol Records Nashville presents multiplatinum hitmaker Jon Pardi's fourth studio album, Mr. Saturday Night. The 14-tracks include the singles, "Last Lonely Night," and "Fill `Er Up." Jon says about the album, "A lot of time was spent living with the songs on this record. There is more life experience on Mr. Saturday Night than any album I've released before." It was produced by Jon with Bart Butler and Ryan Gore, the same team behind his award-winning 2019 album, Heartache Medication.
Galerie's forward-facing approach may call to mind a timeless phrase familiar to any jazzhead: The Shape of Jazz to Come. Ornette Coleman's 1959 opus re-configured traditional notions of harmonic structure, it's title and content serving as both a blueprint and open question for progressive music's future. With Dupuis' reverent but revolutionary project, that answer is no longer in the past or on the horizon; it's here.
“Back to Westbeach with Donnel Cameron. I don’t remember that much about this album. Erik had just quit heroin and he was still sick. Two days after we finished, Erik checked himself into a rehab and stayed there for two months. That was 7 years ago and he has been totally sober ever since. Cool. He won’t even eat chicken if it has wine sauce on it. He made it clear that NOFX was more important to him than drugs. Anyway, I don’t remember how long this album took, but I do remember it took me a fuck of a long time to sing. Standard.” - NOFX
Not Just A Girl (The Highlights) features 18 tracks, spanning Shania Twain's illustrious career. Achieving five GRAMMY Awards and three RIAA diamond-certified albums, she has sold over 100 million albums and is one of the best-selling artists of all time. This collection serves as the soundtrack to her 'Not Just A Girl' documentary which includes Shania's biggest hits and fan favorites, "You're Still the One," "That Don't Impress Me Much," "Man! I Feel Like a Woman!" and more, plus one new song.
Flocked blacklight glow in the dark cover jacket, discobag and neon magenta vinyl.
When two artists as esteemed & talented as Apollo Brown & Stalley come together, they shine, even in the dark. “Blacklight” represents the combination of two titans of hip-hop, both largely recognized as legends in their own right while also being overlooked by some when the discussions of “best alive” come up.
Downtown Records present, The Bird Song Project "For The Birds: The Birdsong Project". An art-filled, 20LP box set including over 200 tracks of original music and bird-related poetry. Proceeds from the sale of this collection and supporting events will be dedicated to the protection of birds and the habitats they need, today, tomorrow, and for all our futures. Specifically it will go to the National Audubon Society.
The Birdsong Project is a community dedicated to the protection of bird life, and to the celebration of the joy and mysteries of birdsong. We believe that birds - no matter feather or flock - are precious and inspiring and fundamental to our world. That a world without birds would be a world without freedom and flight and song. We believe birds matter, are endangered and need our help.
Recorded at Ardent Studios and released in 1972, the album has gone on to become one of the most influential and iconic debut albums of all time. This 50th-anniversary edition is pressed on 180-gram metallic gold with purple smoke vinyl and features all-analog mastering by Jeff Powell at Take Out Vinyl. The album has been included in Rolling Stone’s 500 Greatest Albums of All Time, with the song “Thirteen” featured in its 500 Greatest Songs of All Time.
Indie Exclusive * 25th Anniversary * Previously long out-of-print, this classic sophomore album by one of the greatest ska bands ever was given a proper treatment for its 20th anniversary. This is a must-have for any Slackers fan, regardless of whether you own the original or not. Remastered for vinyl, “Redlight” never sounded as good; and with a two-color foil stamped cover, exclusive art-print insert, and lyric sleeve, it’s never looked so good either! Originally released by Hellcat Records in 1997, this album truly solidified the Slackers’ iconic sound, blending ska, reggae, soul, jazz and dub, seamlessly, with the passion and integrity that the band has embodied. Whether you’re a new fan, or an old diehard, and whether you pick it up at the band’s merch table, your local record store, or your favorite online retailer, this brilliant re-issue is not one to pass up.
Long on style and perpetually short on cash, bounty hunters Spike, Jet and Faye trawl the solar system looking for jobs. As the crew of the Bebop, they make up a ragtag team that chases down the galaxy's most dangerous criminals. They'll save the world... For the right price!
Yes, Cowboy Bebop (Soundtrack from the Netflix Original Series) is now available on vinyl! Yoko Kanno and the band SEATBELTS, the artists behind the music in the original anime series of Cowboy Bebop, have returned to bring their signature dynamic, jazzy sound to the Netflix live action show. The resulting compositions are characters themselves - constant companions to the crew of the Bebop and brimming with just as much personality.
Cowboy Bebop (Soundtrack from the Netflix Original Series) is a treat for Bebop fans in an additional way - it features over twenty new tracks only available on vinyl! This wide release is pressed on red/orange marble vinyl discs in a gatefold jacket with printed inner sleeves.
In keeping with the tradition of Julia Quinn’s novels, Bridgerton Season Two tells the romance story of Lord Anthony Bridgerton’s quest for love. Duty, desire and scandal collide when he decides to marry, only to meet his match in his intended bride’s headstrong big sister. Bridgerton Season Two (Soundtrack from the Netflix Series) features Kris Bowers’ score who previously worked with Shondaland on For the People.
EBM is the first new music from Editors since 2019 and signals a new era from one of the UK's most intriguing and enduring musical success stories. Having previously collaborated with Editors, bringing additional production to their sixth album, Violence, Ivor Novello winning composer and producer Benjamin John Power, aka Blanck Mass, joins as a full time member and ushers in another bold chapter for a band that never stood still creatively over the course of their 17 year career. All 6 of band's studio albums have charted in the UK top 10, with 2 scoring number 1's, and their debut, The Back Room, was shortlisted for the Mercury Prize. Their 2020 tour saw them play their biggest UK headline show to date at OVO Arena Wembley, attesting to their ever-growing audience at home and abroad.
“The whole point of this record was to share every emotion that I feel,” says The Soft Moon’s Luis Vasquez.“No two songs are the same. It’s about existing in the world as a human being and experiencing many emotions and experiences throughout life.”
And so hence the title Exister, a record rooted in the ecstatic joys and crippling lows that life can throw up and how just hanging on and existing is sometimes all we have. “Exister is my way of saying ‘I’m here, deal with it.’” Vasquez says.
Sonically, this expression is a vast, expansive and potent one. The opening ‘Sad Song’, which unfurls with a dense brooding atmosphere, Vasquez describes as almost a ballad, while tracks such as ‘The Pit’ capture the opposite end of the musical spectrum, exploding as a thundering piece of industrial techno complete with gut-churning levels of bass. ‘Monster’ - a song that follows a human metamorphosis into an unrecognizable and destructive being - seamlessly combines a deeply melodic, almost electro pop, vocal hook with a slow build atmospherics to create something equally beautiful and unsettling. ‘Become the Lies’ explores the devastating consequences of being lied to by your own family and is a post-punk stomper, merging charging basslines, pummelling drums and snaking guitars, all of which combine explosively. Elsewhere the album runs the gauntlet of everything from ambient to dark wave - features ferocious guest contributions from fish narcand Special Interest’s Alli Logoton ‘Him’ and ‘Unforgiven’ - all while retaining that distinct tone that unmistakably The Soft Moon.
If there was a living, breathing rock’n’roll meme, who else could it possibly be? And this meme won’t stand still.
46 years into his recording career, Billy Idol is still the ever-moving myth, the intellectual/feral internet-age bookworm/caveman of our dreams, finding modern language for the fiery, Eddie Cochran-meets-Ziggy Stardust rip’n’roar that he’s been making since he first stepped on stage. And that’s all on The Cage EP, out September 23rd on Dark Horse Records; four tracks that engage you like classic Idol, yet keep your eyebrows raised like that stuff you heard coming out of that teenagers’ car that just rolled down the street.
It’s funny; maybe the name really did define him. 46 years ago when everyone was sniffing the nihilistic glue and giving themselves snotty little punk rock names, it was supposed to be “Idle” – but someone wrote it wrong, and William Broad became Billy Idol instead. And that’s what he became: An idol. But this idol is not made of stone, and he’s certainly not stuck on a pedestal to be done, dusted, and dusty. Billy Idol insists on being today’s news, not just yesterday’s memory. He fire-breathes dreams and nightmares, he delivers clubland croon and Bolan-blessed cool, and he moves through the desert, sluices through the cities, speeds across oceans, hills, mesas, and time. And if you think Idol is Idle, you haven’t heard The Cage EP.
It’s been exactly one year since Billy Idol released his last EP, also on the George Harrison-founded Dark Horse Records – the rich and diverse Butch Walker-produced The Roadside, which had the effect of being both in your face and full of the uncertainty and darkness of the pandemic. But a lot has happened during that time. First and foremost, Billy Idol and Steve Stevens hit the road again, and that amazing energy infected their new work.
Billy Idol: “The last EP, we were kind of warming up to this. This EP is a lot more coming at you. Loads more guitar. And that’s a lot of fun. We were pretty fired up by the fact that we hadn’t played for a couple of years, and suddenly we were bursting on stage, and it kind of woke us up to what the next EP could be: That it could be a little more strum und drang, a little more coming at you, a little more rock’n’roll, a little more f*ck you! Well, a tiny bit of f*ck you, anyhow. The bottom line is we had a lot of fun doing it.”
“Cage,” the title cut of the EP, may be Billy and Steve’s most ferocious and flat-out punk rocker in decades. In fact, it may even make you think that the spiraling riffs, soaring melodies, and morse-code rhythms of Generation X have been transported into the 21st century.
“Classic is what we were shooting for,” says co-producer Zakk Cervini.. It’s loud guitars and live drums yet treated in such a way that it can live alongside music being made today. I asked myself, ‘If Billy was a brand-new artist today, what would he be making?’ And that’s what we shot for. One of the goals Tommy and I had was to help Billy and Steve make songs that would just go crazy live. This time around, we were all thinking, shows are back, the world is opening up again, this is exciting, we want new material that just goes off live. High energy, kickass great rock songs. That’s what we shot for, and I think that’s what we got.”
Tim Burgess is an English musician, singer-songwriter and record label owner, best known as the lead singer of the alternative rock band the Charlatans. While in The Charlatans, Tim's indefatigable energy has been a consistent fuel for the band across thirteen high-charting albums, and his solo adventure has been no less extraordinary, scaling new heights in 2020 with his fifth solo album, I Love The New Sky followed by the Ascent of the Ascended EP in 2021. Typical Music is a 22-track blockbuster set of songs that are as expansive and diverse as they are rich, as fun as they are funky and that embrace heartache and love. They run the gamut, from ABBA (in the shape of guest vocalist Pearl Charles) to Zappa (free-form studio experimentation). Tim continues to host his infamous #TimsTwitterListeningParty, having drawn in members of bands such as Iron Maiden, Culture Club, Tears for Fears, Japan, the Smiths, the Go-Go's and New Order.
Paradise Again came together in the wake of rediscovering Swedish House Mafia's musical synergy on the band's 2019 reunion tour, spending countless hours in the studio, exorcizing new sonic palettes, textures, and tones from an arsenal of analog synths. It represents an ambitious broadening of their musical scope, as evinced by the wide-ranging roster of collaborators and guests, including The Weeknd, A$AP Rocky, Sting, Ty Dolla $ign, 070 Shake and many more.
Daddy Yankee’s farewell album LEGENDADDY combines all the styles that have defined him in one single album. It contains 19 tracks and has the most superb guest list yet including Bad Bunny, Rauw Alejandro, Nile Rodgers, Becky G and more. He also collaborated with some of the industry’s hottest producers including Play-N-Skillz, Luny (Luny Tunes) and Tainy. LEGENDADDY stands out as his first album in ten years and his boldest, brightest, and biggest musical statement ever.
25-year anniversary deluxe reissue of Mood’s seminal debut record, Doom, originally released on September 23 of ’97. Included here on this anniversary reissue is the J Dilla Remix of “Secrets of the Sand” along with some nice album packaging; matte finish, alternate cover and black flooded jacket pockets/black dust sleeves, 180 gram vinyl.
Detroit underground rap staple Quelle Chris will be releasing his new album "Deathfame" on 12/2. It features appearances by Navy Blue, Pink Siifu, Denmark Vessey, Cavalier, J Jig Cicero, and Moruf, and was largely produced by Quelle Chris himself, with contributions from Chris Keys on multiple tracks and Knxwledge on one track.
In the era of Ganser’s Just Look At That Sky delightfully descended on the world in July of 2020, I do admit that I mostly did find myself looking skyward, though that looking was often colored by an ever-present anxiety. My city was coming apart and maybe your city was coming apart too. Maybe atop the buildings of your downtowns there were guns, and men in fatigues. Maybe in front of the libraries, there were tanks, maybe in front of the food banks, there were army patrols. And yet, maybe you found an album or some tunes that reflected the times, which means both everything and nothing at all now, as time fractures into small, elastic shapes, some jagged, some joyful. An album of a moment must require malleability – songs that hold several songs within them.
Ganser is back with a couple of tunes that will anchor spring through fall, a project called Nothing You Do Matters (produced by Liars' Angus Andrew) and the songs are full, biting, sweet and relentlessly tongue-in-cheek. What propels Ganser as a band, for me, is what shines here: their performance of joyful apathy so often has many other moving parts underneath that suggest that they are a band of deep caring, simply unsatisfied with the hands they’ve been dealt by the world. The dark humor seeped into the apathy is the central and most visual part of the magic trick, but it isn’t the trick itself. It is the disappearing bird or rabbit, that which returns safely to the open palm in order to distract an audience from everything else unfolding during its disappearance.
On July 1, his birthday, Sufjan Stevens is releasing two alternate versions of his song, “Fourth of July”.
Both versions were recorded around 2014: “Fourth of July (April Base Version)” was recorded in Eau Claire, WI at Justin Vernon’s April Base studio, and “Fourth of July (DUMBO Version)” was recorded in Sufjan’s old studio in Brooklyn, NY.
The original version of “Fourth of July” appeared on Sufjan’s 2015 album, Carrie & Lowell. As is (and was) his custom, Sufjan would often rework different versions of his songs while recording an album, and “Fourth of July” was no exception. (Other versions & remixes of the song were released on “The Greatest Gift” mixtape and on the “Exploding Whale” 7” single.)
These two latest versions were recently found on old hard drives. The refrain of the song, “We’re all gonna die,” invokes a meditation on human mortality and fragility, even as it acts as an anchor of stoic hope. Its solemnity invites listeners to feel comfort, connection — even joy — wrought from great pain and loss.
The song has recently had a resurgence with listeners — which may speak to a deep national grief and sense of loss.
This 7-inch in red will ship in December 2022, which marks the 10-year anniversary of Carrie’s death.
Thirty years in the making, the Backstreet Boys are back with their first ever holiday album “A Very Backstreet Christmas”! Features classics like “I’ll Be Home For Christmas”, “Last Christmas”, “Silent Night” and new future holiday mainstays like “Christmas In New York,” “Together,” and “Happy Days.”
Having started her professional career outside of her home of Zambia, Sampa The Great returned at the beginning of the pandemic to Africa. As Above, So Below is the result of this return to her roots, embracing the sounds and themes of her origins. Sampa has reconnected with a different side of herself, one closer to the younger artistry that was nourished growing up. Now, in an age of authenticity, meet a 360 Sampa, a higher version of herself. No mask on, or role to play.
Elvis On Tour is a 6 CD + 1 Blu-ray box set comprised of the audio from four of the shows (and two rehearsals) that were part of Elvis’ 1972 North American tour. Originally recorded for the Elvis On Tour concert film that was released later that year, the set features a total of 145 tracks, including 91 tracks that have been previously unreleased, as well as the award-winning concert film on Blu-ray.
Supercell’s Live Vol. 1 encapsulates the adventurous spirit of the trio, letting the music develop naturally. Original compositions sit comfortably alongside standards and modern pop tunes, a mixture of intricate arrangements and spontaneous explorations. Playing for a supportive audience at an artist-friendly space, Adam Meckler, Brian Courage and Andrew Green dig into a wide dynamic range, reaching a quiet vulnerability that one might not expect to hear from a chordless trumpet trio.
Originally released in 2005 and never before released on vinyl, this "25 Years of Twiztid" version of Mutant, Vol. 2 is the first in a series of albums to be re-released as a celebration of Twiztid's 25 years as a band. This limited edition, double LP is available on solid white vinyl with transparent blue A side/B side effect.
Making their big screen debut, the ever-relatable Belcher Family faces an all-new catastrophe in this bold, brassy and bone-dry murder-mystery comedy adventure. With plenty of hilarity, heart and show-stopping musical numbers, The Bob’s Burgers Movie will deeply satisfy fans, while serving up a tasty treat for new adventures.
A brand new strictly limited edition BLACK triple vinyl box set. The complete INSIDE collection, totaling 46 tracks. Contains the original 20 songs from theGRAMMY™ and EMMY™ Award-winning special, 13 tracks from THE INSIDE OUTTAKES, and 13 score tracks. All housed in a stunning box including 3 dual-cover LP jackets with printed inner sleeves and individual RGB translucent outer sleeves. Also includes a beautiful 24 page lyric book, a 12x12 art card and 3 INSIDE window clings.
The original soundtrack from the first Jason Bourne film, The Bourne Identity is being re-released on LP in timing with the 20th anniversary of the film. The movies have earned an incredible 1.67 billion dollars globally at the box office. John Powell is an accomplished film composers well known for his tremendous scores for animated films, including Shrek, and the Oscar nominated How to Train Your Dragon. His successful action films including the Grammy nominated Solo, and the Bourne franchise
Get your limited edition of the Almost Famous The Musical - 1973 Bootleg EP vinyl featuring four songs from the upcoming Broadway musical with music by Tony and Pulitzer Prize winner Tom Kitt and lyrics by Oscar Winner Cameron Crowe and Kitt. Starring Chris Wood, Solea Pfeiffer and Casey Likes, Almost Famous The Musical is an adaptation of Cameron Crowe’s beloved Academy Award and BAFTA-winning film and opens on Broadway November 3, 2022.