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These two works represent the alpha and omega of Mozart. With these performances of Die Entführung aus dem Serail (1782), probably the composer's first absolute masterpiece, and Die Zauberflöte (1791 - the year of his death), René Jacobs penetrates to the heart of Mozartian singspiel. Featuring singers, a chorus and an orchestra ideally suited to the works, these two complete recordings are now among the benchmarks of the discography.
These two works represent the alpha and omega of Mozart. With these performances of Die Entführung aus dem Serail (1782), probably the composer's first absolute masterpiece, and Die Zauberflöte (1791 - the year of his death), René Jacobs penetrates to the heart of Mozartian singspiel. Featuring singers, a chorus and an orchestra ideally suited to the works, these two complete recordings are now among the benchmarks of the discography.
3149020946718
Mozart: Die Singspiele
Artist: Akademie Fur Alte Musik Berlin
Format: CD
New: Available $39.98 $29.31 ON SALE
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Formats and Editions

CD
$29.31
DISC: 1

1. Water Music, Suite No. 1, HWV 348: I. Overture. Largo - Allegro
2. Suite No. 1, HWV 348: II. Adagio E Staccato
3. Suite No. 1, HWV 348: III. [Allegro]
4. Suite No. 1, HWV 348: IV. Andante - [Allegro] Da Capo
5. Suite No. 1, HWV 348: V. [Allegro]
6. Suite No. 1, HWV 348: VI. Air
7. Suite No. 1, HWV 348: VII. Minuet
8. Suite No. 1, HWV 348: VIII. Bourrée
9. Suite No. 1, HWV 348: IX. Hornpipe
10. Suite No. 1, HWV 348: X. [Allegro Moderato]
11. Suite No. 2, HWV 349: XI. [Allegro]
12. Suite No. 2, HWV 349: XII. [Alla Hornpipe]
13. Suite No. 2, HWV 349: XIII. [Minuet]
14. Suite No. 2, HWV 349: XIV. [Rigaudon 1]
15. Suite No. 2, HWV 349: XV. [Rigaudon 2] - XIV. [Rigaudon 1]
16. Suite No. 3, HWV 350: XVI. Lentement
17. Suite No. 3, HWV 350: XVII. [Bourrée]
18. Suite No. 3, HWV 350: XVIII. Menuet [1]
19. Suite No. 3, HWV 350: XIX. [Menuet 2]
20. Suite No. 3, HWV 350: XX. [Gigue 1] - XXI. [Gigue 2] Da Capo
21. Suite No. 3, HWV 350: XXII. Minuet (Coro)

More Info:

These two works represent the alpha and omega of Mozart. With these performances of Die Entführung aus dem Serail (1782), probably the composer's first absolute masterpiece, and Die Zauberflöte (1791 - the year of his death), René Jacobs penetrates to the heart of Mozartian singspiel. Featuring singers, a chorus and an orchestra ideally suited to the works, these two complete recordings are now among the benchmarks of the discography.
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